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The Game Boy

Before we talk about the Game Boy hardware, let’s talk about what came before Game Boy. The idea of portable gaming certainly didn’t come into existence from nowhere the day Game Boy launched; various toy companies had been dabbling in the concept since the ’70s. In fact, it’s kind of hard to say where to draw the line for the true first handheld game — which was it?

It makes sense that early portable systems hailed from toymakers; there’s a pretty clear line of continuity from mechanical or gravity-powered toys to Game Boy. Nintendo itself had a lengthy history with handheld amusements, many of which were designed by the man responsible for the system, Gunpei Yokoi.

So when you look back at one of those simple toys where you try to shoot ball bearings into a hole or whatever, you’re looking at the blueprint for Game Boy. Eventually, the advent of inexpensive, compact electronic components allowed manufacturers to cram LED lights into them. Then simple circuits and LCD art. Then legitimate computer processors — like the Game Boy’s CPU, which was based on the processors that powered the PC revolution of the late ’70s and early ’80s.

Impressive, right? Well… honestly, in terms of technology, Game Boy was the furthest thing from impressive even in 1989. The concept wasn’t even that original; Milton Bradley had produced the first ever LCD portable that ran on interchangeable cartridges all the way back in 1979, a full decade before Game Boy’s launch. Epoch’s MicroVision was agonizingly primitive and tremendously expensive, but it helped further establish the concept.

No one really tinkered with the concept again for nearly a decade, though, perhaps because the Game & Watch approach of dedicated LCD handheld units that were nearly as cheap as a game cartridge on its own worked so well. Epoch made a limited and ultimately short-lived effort with the Japan-only Game Pocket Computer, which looks like a rough draft of the Game Boy but was doomed by its extremely high cost and limited library. The next cartridge-based handheld to enter serious production also came from a Western company, Epyx, though their “Handy” portable didn’t see light of day for nearly three years after its inception, when Atari bought it up and marketed it as Lynx.

Game Boy beat Lynx to retail by a matter of months, but the close release of the two systems makes for a telling study in purpose and philosophy. Game Boy used a puny processor and a frankly terrible screen… but those features worked to its advantage, allowing Nintendo to offer it for less than half the price of the Lynx, and being relatively gentle on batteries. Sega’s Game Gear would improve on Lynx’s tech, but it too would fall afoul of both its up-front and its long-term costs.

The Primal Soup

Nintendo has been a major force in the video games industry almost since the beginning, but by and large it hasn’t really competed on the same terms as other game makers. The company’s history as a toy and gadget maker continues to shape its approach to hardware design, sometimes for better, sometimes for worse. In the case of Game Boy, this mindset definitely worked for the best.

If you look at Game Boy as a game system, its modest power and inferior LCD seem like sheer folly. Taken as a successor to Nintendo’s long line of kid-sized gizmos and amusements, though, it makes perfect sense.

And, of course, the man responsible for Game Boy’s hardware design, Gunpei Yokoi, had been the mastermind of countless Nintendo doodads and watchamacallits dating back to the 1960s. Former NCL president Hiroshi Yamauchi had catapulted Yokoi to prominence when he saw the man messing around with a toy-like device of his own design to kill down time while working on Nintendo’s assembly line. Yamauchi promptly commissioned Yokoi to turn the toy into an actual product. He did, and it become one of Nintendo’s first commercial hits: The Ultra Hand.

In the years that followed, Yokoi spearheaded the design of dozens of toys, many of which worked as compact electromechanical renditions of arcade amusements. Another major hit for Yokoi came in the form of the Love Tester, a simple toy that measured the electrochemical voltage of two people to “predict” their romantic compatibility. Over time, Nintendo’s toy line incorporated more and more electronic elements, which made their mid-’70s entrée into dedicated, single-title game consoles a natural one.

And with their flag planted in the soil of the embryonic games industry, Nintendo’s Game & Watch seemed a similarly natural progression: Tiny portable gadgets that repurposed adult-oriented technology (in this case, LCD wristwatches) for kids. And adults, too, but mostly kids.

It’s this history that created the primal stew that gave rise to Game Boy. But life didn’t come into being until it was jolted by the bolt of lightning that was Sony’s Walkman. One of the most revolutionary electronic devices ever made, the Walkman made hi-fi audio portable, packing the ability to play radio and cassette tapes into a compact, battery-powered device that output music through a pair of headphones.

The K-Car Revolution

That was the Walkman’s fundamental revolution: It exploded the concept of personal electronics into the mainstream. Sony created a self-contained gadget designed for a single person, compromising top-of-the-line sound for the sake of convenience and portability, and this philosophy influenced hardware design for decades to come.

Nintendo wasn’t even shy about borrowing Sony’s incredible idea — “Game Boy” reads as an obvious riff on “Walkman,” adopting the English-language construction of the cassette player’s name while also speaking to its purpose (playing video games) and target audience (boys). Plus, Game Boy made it clear that the handheld was meant as the junior counterpart to the NES — the serious game experience was still to be found on the console, while the handheld offered a less completely formed take.

Game Boy turned NES-era game design into a solitary pursuit… but of course, Nintendo’s love of play and socialization still found a place in the system despite its being designed for a single player to hold and play at intimate range. While Game Boy excelled at reproducing NES-like single-player experiences (the first year alone would bring players Super Mario, Castlevania, and Final Fantasy spin-offs), the system could also connect to other Game Boys through its Link Cable feature.

The Link Cable allowed as many as 16 players to daisy-chain together… well, at least in theory. In practice, all but a handful of multiplayer games limited themselves to two-person experiences. By no means was this solely a Nintendo innovation, either. Atari’s Lynx included a similar feature, the ComLynx, which enabled similar head-to-head play options.

But Link Cable’s presence demonstrated Nintendo’s priorities — after all, Lynx was meant to be the Cadillac of portable game systems, a massive luxury device with all the bells and whistles. Game Boy was a

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